CLIENT / THE UNIVERSITY OF TEXAS AT EL PASO
Flexible production options for UTEP Institutional Advancement. Thoughtful interviews, cinematic on-location coverage, and complete post-production support for stories of people, philanthropy, and impact.
ZiaPixel is a New Mexico-based video production company founded by Gina Palombit and Francis Check, who each bring more than 14 years of experience in video production and visual storytelling. Gina spent 10 years working in media and marketing for the Department of Defense and later worked with the NMSU Alumni Association and Foundation, first as a contracted creative partner and then as Associate Director of Digital Marketing for 2 years. Francis brings extensive experience in production, visual effects and technical storytelling for commercial, government and aerospace projects.
Past and present clients include White Sands National Park, Gila Regional Medical Center, the State of New Mexico, the Department of Defense and New Mexico State University. Our work has been featured on ESPN, A&E, BBC, PBS and U.S. Army social media channels, presented at NAB, and shown at the Pentagon. Together, we bring a combination of cinematic production, institutional experience and technical expertise to every project.
Standard travel to and from UTEP and locations within the El Paso area is included in all pricing ranges. Travel outside the region would be quoted separately.
Soundtrack licensing for social media and web use is included in the prices shown. Broadcast licensing is additional, at approximately $1,500 per track, subject to the selected track and license.
A production day is defined as a 6-hour filming day: up to six consecutive hours on-site, including equipment setup, filming, and breakdown.
A concise, polished piece designed to recognize a program, express appreciation, or share a focused campus story.
Built for recurring content. Individual projects typically fall toward the middle or upper end of the range. Recurring engagements or multiple videos produced together may allow pricing toward the lower end through shared filming, planning, and post-production efficiencies.
Project goals, audience, tone, and final message
Participant outreach and availability planning in collaboration with UTEP Advancement
We coordinate with the UTEP Advancement point of contact to develop the production schedule, interview order, and coverage plan
Location, access, equipment, and crew planning
Two-camera interview coverage and composition
Professional interview lighting and sound capture
Production crew and filming for one scheduled day
Program, campus, environment, and activity footage
Organized transfer, verification, and project backup
Interview shaping, story edit, and picture assembly
Track selection, licensing, and edit integration
Color correction, mix, cleanup, and mastering
Two consolidated client review cycles
A story-driven profile with room for multiple perspectives, supporting footage, and a more developed narrative arc.
Message development, audience, and creative approach
Planning for up to three participants
Three-day schedule, locations, access, and crew logistics
Narrative structure, interview topics, and coverage plan
Planning calls, approvals, and production communication
Camera package and composition across interviews
Professional lighting and isolated interview audio
Production crew and on-location filming
Campus, work, activity, environment, and detail footage
Organized transfer, verification, and project backup
Interview edit, narrative shaping, and picture assembly
Review and integration of supplied archival footage
Track selection, licensing, and editorial integration
Application of supplied or previously approved lower thirds, titles, and supporting graphics, with closed captions delivered as an .SRT file
Color correction, mix, cleanup, and mastering
Two consolidated client review cycles
A deeper feature for stories that benefit from added context, more voices, and a fuller visual treatment.
Story focus, audience, tone, and narrative direction
Planning for up to six participants
Six-day schedule, locations, access, and crew logistics
Detailed structure, interview topics, and visual plan
Planning calls, approvals, and production communication
Camera package and composition across interviews
Professional lighting and isolated interview audio
Production crew and on-location filming
Multiple locations, activities, environment, and details
Organized transfer, verification, and project backup
Interview edit, narrative shaping, and picture assembly
Review and integration of supplied archival footage
Track selection, licensing, and editorial integration
Application of supplied or previously approved lower thirds, titles, and supporting graphics, with closed captions delivered as an .SRT file
Color correction, mix, cleanup, and mastering
Two consolidated client review cycles
These one-time investments establish a reusable visual foundation for ongoing video production, helping streamline future projects and create consistency across UTEP Institutional Advancement content.
A dedicated two-day production focused on building a versatile library of evergreen UTEP campus footage for use across future video projects.
A shared campus library reduces the need to recapture general campus footage for every recurring video.
Each production is planned around the story, interview needs and locations involved. A typical production day allows for approximately 2 interviews while leaving time to capture supporting B-roll and other story-driven visuals.
Up to 3 interviews may be possible in a single day when schedules and locations allow, but this generally leaves limited time for additional B-roll capture. Projects with more extensive interview or B-roll needs may require an additional production day.
Additional Interview Session
$500Up to 3 consecutive hours on-site for one interview, including lighting and audio setup, filming, and breakdown. Does not include B-roll capture.Additional B-Roll Capture Day
$700Up to 3 consecutive hours on-site for project-specific B-roll capture without interviews.Additional Production Day,
Interviews + B-Roll
Additional filming is scoped to the needs of each project. Dedicated campus library capture is detailed separately above.
Higher education, stewardship, fundraising, commercial production, and branded motion.
